Search This Blog

Wednesday, December 16, 2009

Respect My Hustle


Ok ok, I know its been about a week since I blogged last but I've been busy grinding. Charge it to my head and not my heart folks.

This blog is dedicated to the rappers. Not the emcees but the rappers. As the past few years have gone by, you've seen rappers rise to the forefront of popularity within mainstream music. A few to be noted are Soulja Boy, OJ da Juiceman, Gucci Mane, Plies, and Rick Ross, and Young Jeezy (note, I will credit Ross and Jeezy for being lyricist at times but at the core of their artistry, they are rappers).

I will be honest, initially, I completely detested what these guys represented. It wasn't so much the content of their music, each are entitled to tell the story that they wish to tell. (And for those who knock them down because you feel their content sends the wrong message to kids, its simple, turn off the radio and BET LOL.) My distaste came to the lack of lyrics and diversity in their content. There are one of 3 things you are guaranteed to hear in their songs depending who you listen to: money (how much they have, what they bought, their clothes, the ice), drugs (weed and liquor mostly, as well as actually distributing it), and finally woman (hell even emcees rap about them though lol). Now many could argue that some of the emcess do the same thing but I counter that by saying that though it is a common topic in hip-hop in general, it is the prime source of subject matter specifically with rappers and not so much with emcees.)

Now to show that I have in good faith given rappers a fair shot (minus Jeezy, I support that dude 100% and I'll explain why later), I recently listened to Gucci Mane's new CD The State vs. Radric Davis as well as parts of Soulja Boy's iSouljaBoyTellEm. This is such that it is not believed that I'm speaking from a biased point of view and that I haven't given rap a chance but merely a spectator making comments.

Heres the thing, I have to come realize that while I will probably not be a big supporter to most rappers, I do respect them. I used to rap so I know what its like to put some emotion behind the pen and spit how you feel on the microphone, and believe me, it takes skill to convey your thoughts over a track. Thus I won't discredit anything that these guys do. Hence the name of this blog, Respect My Hustle. For most rappers, it is a hustle. You look at their background and their story, they will tell you that rapping for them was a way to get off the streets or to keep food on the table, so for that much respect is due.

Some of my friends openly distaste rappers, saying how much they suck and how they are "ruining" hip-hop. My thought is this, evolution is inevitable regardless of what your talking about, all the world turns, things change. So has Hip-Hop. I can't necessary say its change for the worst... It has come to represent the new school consumer. I don't quite know how it come to be that they got conditioned to care less about the actual words spoken and more about the music behind the voice, but it is what it is. It just so happens that rappers do a better job of making a song that you can vibe to and dance to. The lyrics suffer at times but I can't be mad because they are doing their thing and doing it well. The proof is in the pudding, people are buying it so there is something to it, though hip-hop heads will argue not much. As I mentioned before Jeezy is one of the rare exceptions for me. I give Jeezy props 100% and have bought his last two albums. He has a demeanor and delivery on a record that I can't deny, its just plain ill. Though a lot of his rhymes are coked up, he often times will come with some punch lines and metaphors and prove that he's truly a student of the game. Ross too, even though he's not quite lyrical, he does his thing. But thats just me. My boy Silas is quite the hip-hop aficionado and he digs Gucci Mane. Thus there is something out there for everyone

Though I will never understand what it is about rappers like Soulja Boy & OJ Da Juiceman (just examples, not them specifically, well ok, maybe a little specific lol) that people like, they are doing their thing and are successful at it so I can't hate too hard. If Soulja Boy was a one hit wonder then I'd have reason to hate but he's dropped several songs since Crank Dat that have been crowd pleasers through and through. All this to say, though I won't ever be a die hard rap fan, I will never knock them for their hustle. If you do what you do and you do it to the best of your ability and your successful, who am I to judge?

***Just to clarify for those who are confused, there is a BIG difference between hip-hop and rap music. Hip-Hop in itself is the culture that birthed rap. It consists of four main elements: The DJ, The Emcee, The B-Boy, and Graffiti, even these days fashion. Hip-Hop music is the cultivation of these elements, telling the stories of struggle for respect, and going from rags to riches. The difference is that Hip-Hop is more so poetic than rap. Rap more so is the commercially-glorified version of Hip-Hop.***

William the Thoughtful has spoken.

Thursday, December 10, 2009

Song of the Day 12.10.09

Had to take it back on this one and shout out to King James for the inspiration. Many may not know who the group Jim Crow is but you def know who Polow Da Don is. He's responsible some of the dopest bangers from the past few years (London Bridge - Fergie; Get Buck - Young Buck; Throw Some D's - Rich Boy; Turning Me On - Keri Hilson) among others including Robin Thicke's soon to be single featuring Nicki Minaj "Shaking It For Daddy". Anywho, he was the production mastermind behind Jim Crow and crafted the song below which was my jam. Enjoy.

Tuesday, December 8, 2009

Song of the Day 12.08.09

So since I just reviewed the album, I figured to give you a song from it for my song of the day. Here is Timothy Where Have You Been feat. JET. Enjoy




Timbaland - Shock Value II Review




Alright folks, here we go... Timothy "Timbaland" Mosley has been in the game for a GOOD God minute. It was because of him that I really began to fall in love with Hip-Hop. Year after year, he ceased to amaze not only me but music aficionados alike with his incredible knack for mind-blowing musical composition and instrumentation. I don't even have to list his discography of hits because if you don't know them, then you shouldn't be reading my blog. Real talk. Anywho, Shock Value II comes as a sequel of sorts to Timbaland's album Shock Value which was released in 2007. This 2nd installment definitely has some shock value... sadly, parts of it were shockingly awful. I really hate to say this as I champion this man to be the best producer bar-none and a personal musical hero. But sadly I must admit, I was shocked when hearing this album and NOT in the way I wanted to be.

The album definitely had great promise, even though when I looked at the tracklisting and saw some of the features: Miley Cyrus, Katy Perry, The Fray, JoJo, and Chad Kroeger to name a few. I could already tell that this was going to be Tim's least urban album to date. Now I definitely give Timbo the utmost props for defying the lines of what he is penned to be, which is a hip-hop producer. He, Dr. Dre, and OutKast are the main reasons why Hip-Hop evolved from being a genre that was predominantly listened to by black people. He is much greater than this, a musical composer. He took OneRepublic's "Apologize", which was already stellar in its original inception and mastered it beautifully.

So heres the breakdown. The album started off very solid. The two stands outs were track 4, Meet in the Middle feat. Bran'Nu aka Brandy (yes, sitting up in my room Brandy). Bran'Nu is her rapper alter-ego. I know your thinking, wack right? Actually she went in! Don't expect her to be dropping lyrics like MC Lyte or Mia X or my new favorite femcee, the Young Money Barbie Doll Nicki Minaj, but she did her thing. The other stand out track in my opinion was Tomorrow In The Bottle with rocker sensation Chad Kroeger, lead single of Nickelback and Timbaland's younger brother Sebastian. The vibe of the song was sickening from the drop of the beat. Its an ode to relationships and the perils that sometimes arise from them and hoping for a better tomorrow. It is probably my favorite track on the whole album. Even the track with Hip-Hop's New Big Deal Drizzy Drake was really solid, just didn't blow me away like I expected.

Then the bomb dropped... SIGH. As I stated before how much I admire Timbaland's expansive musical prowess, it has its flaws. It just goes to show that no one is truly capable of doing all. Anyhow, Timbaland paired up with Tween sensation Miley Cyrus. I will say this, I am in no way hating on Miley. I happen to like her. I actually watched the Hannah Montana movie, YES, I'm not ashamed to admit it. But when it comes to pairing her musical stylings with such a visionary as Timbaland, it plain and simple doesn't work. When I first read the tracklist and saw this, I foresaw the doom to come. I had a small glimmering hope that maybe Tim could step her game up and work his magic, but sadly, it seems that he worked down to her level. Honestly, you wouldn't quite know that it was produced by Timbaland if he wasn't on the song. Again, I'm not saying that Miley sucks. I give props where they are due. She works well within her means, she's not acting like she's Christina Ag or Beyonce and trying to sing things she damn well can't pull off. She milks her angle well so for that, she gets a standing O. But this song gets a flat out NO!

Moving on to the rest of the album, the single Morning After Dark, is what it is. Its a single, and it does what singles do. Makes you dance! Not the hottest track from Tim but it works. Tim also collabs with America's Favorite Faux-Lesbian Katy Perry and though I had several friends dislike it, I truly love it. It does provide the shock value as its really pop-like and definitely Top 40 savvy so for this collaboration, Tim gets an A+ from me.

The next two tracks really weren't anything too spectacular. I could have done without his track Ease Off the Liquor as it really didn't do too much for me. The final two tracks were great though. One was with The Fray, which I will admitedly say I'm not too familiar with their albums, but the song was really cool. It also featured Canadian songtress Esthero. Then came Timothy Where Have You Been which I really really love. It features the band Jet (Are You Going to Be My Girl) and basically chronicles Timbaland's journey as a producer and looking back on where exactly Tim has been.

Now being a true fan, I BOUGHT (emphasis on BOUGHT) the Deluxe version of the album which including 4 bonus tracks, one with American Idol finalist Chris Daughtry, one with OneRepublic, and then two track with Mosley Group artists Keri "All Those Legs" Hilson and rapper D.O.E. Honestly, if Tim had inserted these tracks and took out the ones that I disliked above, this album would have been truly amazing. So all in all, I give this album a 7.5/10. It truly was disappointing to give it such an average rating to such a visionary but Timbaland truly didn't come through with every track. I truly don't know what to attribute to this lack of cohesiveness but whatever caused it, Tim needs to re-focus, otherwise his genius will begin to be questioned.



Saturday, December 5, 2009

Song of the Day 12.05.09

So my song for the day actually comes from the show Glee (which I am unashamedly obsessed with might I add). I'm not a crier when it comes to watching sweet and sentimental things, but this performance damn near brought a tear to my eye. Hats off to the writers of this show because it is truly wonderful. Sorry for the poor quality, but FOX has taken down pretty much every good version of it. Enjoy!




End of an Era


The title of this blog actually came to mind back during the summer when I found out the great Michael Jackson died. It truly feels like an era has come to an end. And as much as I hate say it, the art of emceeing (or shorthand MC'ing) is dying. Just to educate, Emcee or MC (which stands for Master of Ceremonies or in music terms the Microphone Controller) is the rapper (and some times the DJ).

Now, I've done my best to ride the coat tails of hope through mainstays like Jay-Z and 3-Stacks (Andre 3000 for those not familiar with his other alias) and especially with younger spawns of the hip-hop generation like Lupe Fiasco & Slaughterhouse. But alas, the essence and art form of the MC is dying. Proof? Look at BET's 106 and Park Top 10. Hell, look at Freestyle Friday! I used to book it home to watch Posta Boy and Jin OBLITERATE their competitors. Now its straight trash.

Thanks to the powers that be, the art form of the Emcee is constantly compromised by mediocrity and hustle. And by hustle I mean that the role of the Emcee has gone from being an artist to a hustle. Instead of spreading a message, people look at it as a way to get paid aka a "hustle". Now let me be clear, one thing I'll never do is hate on another person's hustle, if you getting money, by all means, do you. BUT the truth is quite evident, the consumer has been conditioned to settle for this mediocrity. Its a tough pill to swallow, especially for such a die hard music fan, but alas, the industry has given me no choice but to lose hope for the future artists. Every new artist I see is disgustingly similar to the one before.

*quick sidebar* I tend to speak more in terms of hip-hop because that is the domain to which I'm most knowledgeable about. I know the pop world is coming under the same mediocrity so please feel free to apply my sentiments in this post in other areas as well.

I understand, its a formulaic process. And although all good music is some how derived from a unique blend of elements and ingredients, the recipe that is being put to use must be the same one your Aunt Sally who makes that nasty potato salad uses. I'm almost embarrassed. I find myself spending more time defending music now-a-days that I actually do championing it. Something is gravely wrong with this picture.

I could be wrong though. Maybe this is a secret ploy being instituted by the industry. My only hope is that the powers that be know what they are doing . Otherwise, it is truly the end of an era...

Friday, December 4, 2009

Happy Birthday to Sean Carter aka Jay-Z


Happy Birthday Jay, your officially in the 40/40 Club. Hate me if you want but he's the greatest. Bar none. In case you disagree, he wrote a song just for YOU

Thursday, December 3, 2009

Song of the Day 12.03.09

Well unfortunately I didn't get to post a new topic today but I will definitely get one in tomorrow. In the mean time, please enjoy my song of the day. It is by a band that I'm not too familiar with but I certainly plan to get to know more about very quickly. They go by the name of Passion Pit and this is their song entitled Sleepyhead. I'm quite infatuated with it to be quite honest. I actually heard this song in the new commercial for the Palm Pixie, then by chance I overhead a co-worker playing it. Thanks to Sean Lynam for getting me hooked. Let me know what you think!

Wednesday, December 2, 2009

Song of the Day

Each day, depending on my mood, I will post a song. Sometimes old, sometimes new, sometimes underground, who knows!? Today though and even yesterday, I was really feeling Clipse's new single Popular Demand (Popeyes) feat. Cam'Ron. Though I will admit, I'm not a big Cam fan, the beat is righteous and the Thornton Brothers are always sharper than a razor blade. Enjoy!




Susan Boyle


Yes, Susan Boyle. Though you may wonder why on Earth I'm writing about this woman, she has achieved something quite remarkable.

For those who aren't familiar as to who she is, go here: Susan Boyle. She is the uncanny underdog that shocked the world on last season's Britain's Got Talent. Though I wasn't an avid watcher, I do know that she made it to the finals but was not declared the winner.

BUT as we've all seen with American Idol, you don't have to be the winner to garner a record deal (Jennifer Hudson for example). Thus it was no shocker (at least not to me) that she was snatched up for a recording contract by Columbia Records.

But this post isn't an album review but more of an observation. Boyle not only shocked the world with her amazing voice but she shocked the industry when SoundScan posted today. Would you believe this woman scanned 700,779 albums in her first week sales!!!??

Boyle is a 48 year old Scottish woman who no significant previous recording work! Jay-Z only scanned 475,670 for his first week for his latest effort The Blueprint 3 and he's a WELL established artist!!! Even Eminem's HIGHLY anticipated to Hip-Hop with his album Relapse only scanned 608,244 albums in the first week.

So whats the point of all this rambling? Although I am a newbie to actually working in the industry, I am a student of music and the industry by way of my degree. Thus I'm expected to be thinking forward about the way the industry will operate in the future. Call me crazy, but I GUARANTEE that majority of the people that bought Susan's album was OVER the age of 18. Therefore this being the case, I fail to see WHY Record Labels continuously sink money into marketing and advertising to the tweens. Sure they are a very large demographic and for the most part they have the most disposable income, HOWEVER, I often feel like the Industry at large largely overlooks the mature consumer. While it is true that we are in a recession, music is an essential part to every living human being (and I dare you to disprove that).

Just taking a small snapshot of society today, with all the advancements in technology, how could you even expect to get the tween's attention!? Your competing with text messaging, video games, internet, not to mention school, extra-curricular activities and the icing on the cake, hormones. These poor children are disgustingly overloaded with so many distractions, no wonder they are seemingly so screwed up.

While I can see the thought process of going after the tweens, (they are easily manipulated and they have mommy and daddy to get them everything they want), lets look at the bigger picture. As an avid music lover, I will WILLINGLY spring to buy something that I truly love and I know those who are the casual music consumer fall into the same mind-frame. Susan Boyle sold over 700,000 albums because her story captured the hearts of the world and people were willing to support her and guess what? She's, dare I say it, TALENTED! She CAN sing! She has a great story to tell and guess what else? People BOUGHT it.

So instead of packaging up pop-manufactured-no talent-plastic look-a-likes, why not INVEST into a talent who will truly connect with the other side of the consumer trend? There are more consumers on the opposite side of the tween curve who WILL buy if given a GREAT reason too. Hello! Susan Boyle sold 700,000 records!

Maybe I'm crazy and feel like the solution is way too obvious but it truly seems to me, that if you were to take a really talented artist, develop them and then direct the marketing to adults, you just might make a profit. Sure this takes time and effort (and who likes to give that any more?), but if the Industry could simply STOP worrying about short-term investments for quick money and actually do what their supposed to do, make MUSIC, then MAYBE I might have a job right now. I'm just saying!

*steps off soap box*

Sir William the Thoughtful has spoken.

Coming soon...

Hi all,

Those who know me well know how much of a music lover I am. It is the blood in my veins, the first thing I think of when I wake up, the wind beneath my wings... you get the idea. This is my first entry so I welcome you all to my mind of maniacal thoughts about music, pop culture, and more!

The name From Da Bottom 2 Da Top is a double entendre (double meaning for you simplistic lames). The first meaning is in terms of my geographical relocation from the bottom of the map (Texas) to the top (New York, well "Top-East"). The other meaning is what I most hope to use this blog for, to document my climb from the bottom to the top of the food chain so to speak.

So stay tuned, my first real post will be coming soon and I hope to stay on top of this thing and make something out of it.

Yours truly,

Sir William the Thoughtful
Southern Bred but North-Eastern Led